Critical Writing & News - Stephen Lee

Movement, Anomalies and Distractions

A group show at Wolfson College, Oxford, curated by Katalin Hansel- see web link:

http://maad.moonfruit.com/#

‘Public Domain’ interventions in cityscape.

A project by  Lo and Behold www.loandbehold.gr Curated by Artemis Potamianou, Giorgos Papadatos

17-19 February  2012 SUPERMARKET - Stockholm Independent Art Fair, Kulturhuset, Stockholm , Sweden

www.supermarketartfair.com

Current Gallery, Baltimore, ‘Self Portrait as a Rock Star’.

Current Gallery and Artist Cooperative

Jan 28th- April 10th 2011

Curated by Gary Kachadourian, this exhibit is a collection of self portraits in which the artists imagined themselves as a rock star.

Tank Gallery, London, ‘eye of the black bird’, Maria Chevska and Stephen Lee. Fri.11.Feb.2010 - Sat.05.Mar.2010.

Private View Thur.10.Feb.2010 6-9pm

Collaborative exhibition
Tank, The Ladywell Tavern
80 Ladywell Rd, SE13 7HS
London
info@tanklondon.co.uk
http://www.tanklondon.blogspot.com/
http://tankgallery.weebly.com/current-exhibition.html

Press Release:

eye of the black bird.
Landscape and painting, expanded in terms of materiality and metaphor is the point of departure for this collaborative exhibition over two floors in an old carriage house in South London. The country and the city are thematically inter-woven in an elaborate upstairs/ downstairs dialogue.
Maria Chevska’s painted cobblestones displayed in the ground floor gallery refer to the materiality of the street. Retrieved from just below the surface of the road, these slightly subterranean objects have considerable gravity as paintings. The painted stripes on the surface of the stones are records of palettes used on her main body of paintings. The cobblestones therefore act as a storage or file-code of colours. They also form a direct connection between the art produced in the studio and the urban landscape.
The title, eye of the black bird, is a fragment of a poem by Wallace Stevens that provides the common ground of modernism, language and materiality for the collaboration. The poem is described by Maria Chevska thus: ‘I enjoy the poem’s proposal of ordering the world and it’s sensations (Art), even if compressed into haiku-like form which amongst all its other qualities contains humour’.
The upstairs gallery houses Stephen lee’s juxtapositions of Plein- Air landscape painting of countryside with sculpted animals, human forms and objects. Characterised by a feeling of light, air and space, the work has the structural appearance of a poem of objects, clustered across continuous shelving. Closely tied to literary qualities of narrative and time, intrinsic to landscape, Lee describes his choice of subject matter: ‘I am particularly interested in places where human activity and objects interact with the surrounding environment to create a heightened sense of time as metaphor. This could be for example, a group of people fishing and picnicking by a river; a train-line, canal or motorway connecting to the city like a vein; or a post-industrial zone, which has been partly re-absorbed into surrounding fields like a ruin’.